With so much more music available these days, traditional ways of finding music have diminished. Today radio shows are often programmed by large corporations that create playlists drawn from a limited pool of tracks. Similarly, record stores have been replaced by big-box retailers that have ever-shrinking music departments. Instead of relying on DJs, record-store clerks or thei...(展开全部)

With so much more music available these days, traditional ways of finding music have diminished. Today radio shows are often programmed by large corporations that create playlists drawn from a limited pool of tracks. Similarly, record stores have been replaced by big-box retailers that have ever-shrinking music departments. Instead of relying on DJs, record-store clerks or thei...(展开全部)

Just hearing a few notes from certain songs can bring a movie back to life—whether the Doors’ “The End” from Apocalypse Now, Simon and Garfunkel’s “Mrs. Robinson” in The Graduate, or John Williams’ scores to such blockbusters as Jaws, Star Wars, and Raiders of the Lost Ark. But what is the relationship between film and music—where does the film begin and the music end? Taking o...(展开全部)

Back on the job after an involuntary leave of absence, LAPD homicide detective Harry Bosch is ready for a challenge. But his first case is a little more than he bargained for. It starts with the body of a Hollywood producer in the trunk of a Rolls-Royce, shot twice in the head at close range - what looks like "trunk music," a Mafia hit. But the LAPD's organized crime unit i...(展开全部)

生活，无非是一个盒子，转移到另一个盒子。 灾祸，无非是一个因果，秉承到另一个因果。

真実は、ここにある。 なぜ、司法はこれを裁けないのか? レイプ被害を受けたジャーナリストが世に問う、 法と捜査、社会の現状。 尊敬していた人物からの、思いもよらない行為。 しかし、その事実を証明するにはーー密室、社会の受け入れ態勢、差し止められた逮捕状。 あらゆるところに〝ブラックボックス〟があった。 司法がこれを裁けないなら、何かを変えなければならない。 レイプ被害にあったジャーナリストが、自ら被害者を取り巻く現状に迫る、圧倒的ノンフィクション。

『作者』 伊坂幸太郎（1971—）——日本文坛独树一帜的新锐作家，五度入围直木奖，曾获推理作家协会奖、新潮推理俱乐部奖、书店大奖等，被宫部美雪誉为"天才作家"，与东野圭吾、村上春树连续多年包揽日本权威书评杂志《达·芬奇》最受欢迎男作家前三名。 山本幸久（1966— ）——日本作家，2004年获日本第16届小说昴新人奖，被日本文学评论界称为“离直木奖最近的人”。 中山智幸（1975—）——日本作家，2005年获第101届文学界新人奖，2008年入围第138届芥川奖。 真梨幸子（1964—）——日本当代致郁系推理小说女王。2005年赢得第32届梅菲斯特奖，与凑佳苗、沼田真帆香留被誉为“抑郁系推理”的旗手，备受瞩目。 小路幸也（1961—）——日本作家，2002年获第29届梅菲斯特奖，代表作《东京下町古书店》系列曾被读者评选为“最希望搬上荧幕的小说”，同名...(展开全部)